Gamification in CEME Festival 2020 – Tel-Aviv. This project highlights a uniqueness in live performance—interactive music-making—by means of Game Pieces. Game pieces are musical compositions whose course is not predetermined like most pieces in classical music, but is determined in real-time according to rules, chance operations and competitive strifes between performing opponents toward a goal, …
For flute clarinet, violin cello and piano. 11″ Meitar ensemble: Roy Amotz – flutes Gilad Harel – clarinets Moshe Aharonov – violin Jonathan Gotlibovitch – cello Amit Dolberg – piano Guy Feder – conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given …
For Three Tables, Percussion and Amplification Architek Percussion: Ben Duinker, Mark Morton, Ben Reimer, Alessandro Valiante. Performed and recorded at Live@CIRMMT 13th of February 2014, MMR, Mcgill University, Montreal. Montreal 2014, 7′ Ca A Shift applies to change, transformation, rotation, and movement which all exist in music and are applied by parameters such as time, structure, order, …
fl. cl. pno. vln. & vncFor Sentiari Selvaggi, Feeding the music Festival, Expo, Milano. Revision and new performance – Meitar ensemble, conducted by Pierre-André Valade, Manifeste Festival, IRCAM/Centre Pompidou, Paris Montreal 2016, 11’ Ca Initially marchons, marchons was written for Expo Milano 2015, whose theme was “Feeding the Planet, Energy for Life”. It was while thinking of this notion …
My work often begins with research, the appropriation of an image in sound. In “I need to hear it first”, this image is constructed out of granular points which, by their proximity, form a musical figure. This figure repeats and transforms itself constantly, retaining the trace of earlier instantiations. In my music, I explore repetition …
Violoncello, electronics and 9 Instruments. Solo Violoncello David Zur, Conducted by Karin Ben-Josef . Premiere, April 2008, Jerusalem’s Music Center. Revision, October 2008, Israel Music Festival, Jerusalem’s Theatre. Jerusalem 2008, 19′ Ca Equilibrium is a state of rest or balance due to the equal action of opposing forces or influences. Energy must be created for …
Examining the term BORDERS and some of its manifestations in means of music and art is the subject of a new piece initiated by the Israeli Meitar Ensemble in co-production with the celebrated German ensemble Neue Vocalsolisten. Two composers join forces to create the musical world for this piece, another Israeli-German partnership, Ofer Pelz and …
Open instrumentation and video interface, written in collaboration with Matan Gover. Premiered by ensemble Aka, live@CIRMMT series, Tanna Schulich hall Montreal. 2019 7′ Ca Written for Ensemble Aka. A graphical game is projected to the musicians and the audience. The game interface presents symbols that approach the musicians and is inspired by Harmonix’s Guitar Hero. …
Fl, Cl, Vln, Vla, Vlc, Cb, Pn & Perc. Commissioned by The Israel Contemporary Players and Ernst Von Siemens. Premiere, March 2011, conducted by Jean-Michael Lavoie. Recording, May 2011, conducted by Zsolt Nagy, Ha-Teiva, Tel-Aviv. Paris 2011, 12′ Ca “Do bats eat cats?” Alice asks herself while falling into the rabbit-hole in Lewis Carroll’s famous …
For 2 ensembles – Meitar Ensemble and Ardeo string quartet. Meitar ensemble : Flute – Roy Amotz Clarinet – Gilad Harel Piano – Amit Dolberg Ardeo string quartet: Violins – Olivia Hughes, Carole Petitdemange. Viola – Lea Boesch Cello – Joëlle Martinez Conducted by Renaud Dejardin. Commission by the Zeitkunst Festival and Meitar Ensemble. Premiered …
