Albums
The album Trinité featuring music by Ofer Pelz played by Meitar Ensemble
Repetition Blindness was written especially for this project by David Greilsammer and was supported by the Adele and John Gray Endowment Fund. Released worldwide by Naïve Records, David Greilsammer’s new solo album “Labyrinth” is an astounding, wild, and unexpected project, telling the story of a striking dream that has haunted the artist for many years.
pre-fall – music by Ofer Pelz and Preston Beebe, Ofer Pelz – prepared piano, Preston Beebe – percussions. Released by Ambiances Magnétiques on June 23rd, 2019
WHIM – music by Ofer Pelz and Preston Beebe, Ofer Pelz – prepared piano, Preston Beebe – percussions. Released by Kohlenstoff records on June 4th 2016
The Israel Contemporary Players (2012)
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Scores purchase/rentals:
Articles
Interview by Jonathan Goldman: “Ofer Pelz in search of interactions”, published in : Peimot Review, vol. 3, Tel-Aviv: 2016. Resling:
The original interview in English introduced, transcribed and edited by Jonathan Goldman
Article: “Musical Cultural Identity: What Is It? A Composer’s Perspective on Music Schools and Tendencies“, published in :
Classical post
Thesis – “Vers une forme répétitive instable : recherche de nouveaux moyens d’expression par la répétition de gestes et de textures complexes” (in french)
PDF – in Papyrus Umontreal
Interview – Ofer Pelz : unstable repetition with F. D. Leone.
In – Musica Kaleidoskopea a kaleidoscopic view of music
Article: Martin Guerpin “Fixer l’infixable: l’appropriation du jazz dans Unisono d’Ofer Pelz (2008)”, in Court, Jean-Michel et Florin, Ludovic (dir.), Rencontres du jazz et de la musique contemporaine, Toulouse, Presses Universitaires du Mirail, 2015, p. 93-110
Article: Liouba Bouscant, (avec la collaboration d’Ofer Pelz et de Michel Gonneville), « Matériaux anciens dans la musique contemporaine actuelle : postmodernisme et modernisme en questions », Revue musicale OICRM, vol. 2, no 2, 2015, p. 1-44.
The article in the Revue musicale OICRM (in french)
Article: “La migration numérique d’un œuvre pionnière avec live electronics.
Mesa (1966) de Gordon Mumma. Jonathan Goldman, avec le concours de Francis Lecavalier et Ofer Pelz”
Article in the Revue Musicale OICRM (in french)
Article: “The relation between composer and performer” Tav+: Music, Arts, Society, no. 11. 51–53. http://www.jstor.org/stable/23687995
With a CD contains: Unisono, Moro Lasso.
Audio interviews
Radio interview with Ofer Pelz at CKUT (Montreal) –
Music by Ofer Pelz, Amit Gilutz, Ophir Ilzetzki, Hadas Peery, Nimrod Sahar, Arie Shapira…