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Trees – recording a new album with Whim Ensemble released by Parma Records
The conception and recording of the album “Trees” of the duo Whim with the collaboration of the double bass player Stéphane Diamantakiou. Scheduled for release in early winter 2022 under the important American label PARMA recordings, and their sub-label Ravello records, also distributed via Naxos. The project is supported by the Canada Council for the
Article in Classical post – “Musical Cultural Identity: What Is It? A Composer’s Perspective on Music Schools and Tendencies”
When I studied with Philippe Leroux in Paris, he said to me once that he knows three Israeli young composers (who have been in his class), and he finds it weird that we do not have a common musical language. At this time his observation sounded very weird to me — why should we have a
New piece commission of ur.werk for a premiere in Hannover, Germany
“Départs… entanglements” (“Departures… Unleashes”) is a concert series with a total of 8 concerts (4 double concerts) within the framework of the ensemble friendship between two Hanoverian ensembles and two Canadian ensembles from Montréal. The Flex Ensemble and Ensemble ur.werk, the string quartet Bozzini and the saxophone quartet Quasar will present with two premieres each
Research-Creation of an interface using Ableton Push
Push is an accessory that allows you to control Ableton Live. It is traditionally used, especially by DJs, to launch sequences, samples or play digital drums. The two studies I will compose will take Push far beyond this role and transform it into a digital chamber music instrument suitable for contemporary/experimental music and perfectly suited
Traductions – research-creation project for a percussionist and a canvas
Traductions is an interdisciplinary musical composition project for solo percussionist on amplified and processed canvas. In the performance that will result from the research-creation process, a work that is both sonic and visual will be produced by the performer’s tactile action on the canvas, through various gestures involving the hands, but also painting tools and
Tracé – ensemble Cairn
Piece commissioned by ensemble Cairn for the festival Ensemble[s] in Paris. For Violin, Cello, Accordion, and Piano. My work often begins with the search for a sound image. In Tracé, this image is constructed by granular points, which, by their proximity to each other, form a body. This body repeats and transforms itself constantly, keeping
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