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Labyrinth – new album by David Greilsammer – Naive records
Repetition Blindness was written especially for this project by David Greilsammer and was supported by the Adele and John Gray Endowment Fund. Released worldwide by Naïve Records, David Greilsammer’s new solo album “Labyrinth” is an astounding, wild, and unexpected project, telling the story of a striking dream that has haunted the artist for many years.
New review (in french) of a concert in Paris
“…musique alerte et rafraichissante, ludique autant que risquée, où se conjuguent finesse et inventivité. Pierre-André Valade lui confère sa légèreté et en détaille les trouvailles sonores.” Michèle Tosi, ResMusica, for a concert in Paris Conservatoire
Interview with Jonathan Goldman
Interview by Jonathan Goldman: “Ofer Pelz in search of interactions”, published in : Peimot Review, vol. 3, Tel-Aviv: 2016. Resling: Link to the interview in PDF Ofer Pelz was born in Haifa (Israel) in 1978 and lives in Montreal. He is one of several Israeli composers of his generation who are extremely comfortable circulating in
Interview with F. D. Leone.
Interview with F.D. Leone in Musica Kaleidoskopea – a kaleidoscopic view of music “My piano teacher since I was seven years old worked on her doctorate in philosophy on the relationship between the perception of time of Georgy Ligeti and some ideas of Edmund Husserl. Obviously, at that time, I did not understand anything. However,
New piece for Ensemble Cairn
The commission will be performed in 2020 by ensemble Cairn supported with a “Commande d’état” AIDES À L’ÉCRITURE D’OEUVRES MUSICALES ORIGINALES (EX-COMMANDES D’ETAT) Noriko Baba Shiosai – Tumulte des flots – 8’30 piano, violon et violoncelle Philippe Leroux De l’épaisseur – 7’ accordéon, violon et violoncelle Sonja Mutic Weiß – 10’30 violon – violoncelle, piano
Gamification project in CEME 2020
Gamification in CEME Festival 2020 – Tel-Aviv. This project highlights a uniqueness in live performance—interactive music-making—by means of Game Pieces. Game pieces are musical compositions whose course is not predetermined like most pieces in classical music, but is determined in real-time according to rules, chance operations and competitive strifes between performing opponents toward a goal,
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