Commissions

Trace-score-image

Tracé – ensemble Cairn

Piece commissioned by ensemble Cairn for the festival Ensemble[s] in Paris. For Violin, Cello, Accordion, and Piano. My work often begins with the search for a sound image. In Tracé, this image is constructed by granular points, which, by their proximity to each other, form a body. This body repeats and transforms itself constantly, keeping …

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Backward Inductions

Backward induction is the process of reasoning backward from the end of a situation, to determine a sequence of optimal actions. The ?end? which this piece originated from, was a multiple-layered structure of repetitive gestures. The backward induction in this work?s creative process was the reduction and modification of the original structure to an optimal …

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Roy Amotz

Convergence

Alto Flute and Electronics. Roy Amotz Flute. For Cairn Ensemble. Premiered by Cedric Jullion, Cairn Ensemble June 2011 at CRD Blanc Mesnil. Recording by Roy Amotz, December 2013.Paris 2010, 7′ Ca In this work, I explored the idea of a granulation (segmented sound), that becomes denser until a complete convergence ? a long note.This idea drives also from …

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Chinese Whispers

For flute clarinet, violin cello and piano. 11″ Meitar ensemble:  Roy Amotz – flutes Gilad Harel – clarinets Moshe Aharonov – violin Jonathan Gotlibovitch – cello Amit Dolberg – piano Guy Feder – conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given …

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Percussion-Architek-Ofer

Shift

For Three Tables, Percussion and Amplification Architek Percussion: Ben Duinker, Mark Morton, Ben Reimer, Alessandro Valiante. Performed and recorded at Live@CIRMMT 13th of February 2014, MMR, Mcgill University, Montreal.  Montreal 2014, 7′ Ca A Shift applies to change, transformation, rotation, and movement which all exist in music and are applied by parameters such as time, structure, order, …

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marchons, marchons

fl. cl. pno. vln. & vncFor Sentiari Selvaggi, Feeding the music Festival, Expo, Milano. Revision and new performance – Meitar ensemble, conducted by Pierre-André Valade, Manifeste Festival, IRCAM/Centre Pompidou, Paris Montreal 2016, 11? Ca Initially marchons, marchons was written for Expo Milano 2015, whose theme was “Feeding the Planet, Energy for Life”. It was while thinking of this notion …

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Geneva-Camerata

Climax (ou Elements)

Chamber orchestra.  Commissioned by Geneva Camerata with support from “The Adele and John Gray Endowment Fund”, conducted by David Greilsammer, choreography and dance by Nicolas Cantillon, CIE 7273 Montreal 2015/16, 14? Ca  Cette pièce joue avec l’idée d’un moment de climax à l’arrêt, ou autrement dit, un moment stagnant du sommet musical. Comme matériau harmonique …

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I need to hear it first – Quasar saxophone

I need to hear it first was commissioned by Quasar Saxophone. The work was created on May the 30th 2018, as part of the concert Territoires sonores. The work was revised later and was played by the quartet in many opportunities. My work often begins with research, the appropriation of an image in sound. In “I need …

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leconsdetenebre Raffinot

Leçons De Tenebre

2010, november 5th and 6th Forum de Blanc-Mesnil, (France). 2011 march 8th, Vanves, Festival Artdanthe?, (France). (1 hour long) Conception and direction :Franc?ois Raffinot Dance and performance :Lionel Be?gue, Tayeb Benamara, Emilie Harache, Ode Rosset Music :Franc?ois Sarhan L’NFer (Un point de de?tail) (extracts, performed by Franc?ois Sarhan and Ensemble Ictus) Ofer Pelz (for e?lectroacoustic’s …

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