Piece commissioned by ensemble Cairn for the festival Ensemble[s] in Paris. For Violin, Cello, Accordion, and Piano. My work often begins with the search for a sound image. In Tracé, this image is constructed by granular points, which, by their proximity to each other, form a body. This body repeats and transforms itself constantly, keeping …
The album presents five of my works, composed between 2010 and 2017, and all performed by the Meitar Ensemble
Repetition Blindness was written especially for this project by David Greilsammer and was supported by the Adele and John Gray Endowment Fund. Released worldwide by Naïve Records, David Greilsammer’s new solo album “Labyrinth” is an astounding, wild, and unexpected project, telling the story of a striking dream that has haunted the artist for many years. …
Labyrinth – new album by David Greilsammer – Naive records Read More »
On the verge of composed and improvised music, Whim ensemble (Ofer Pelz, prepared piano & Preston Beebe, percussion) creates percussive landscapes by inventing instrument modifications and techniques to build an unusually rich sound world. They place found objects on their instruments to explore complex timbres, textures, and harmonies. Whim ensemble website Photos of Whim Ensemble …
Alto Flute and Electronics. Roy Amotz Flute. For Cairn Ensemble. Premiered by Cedric Jullion, Cairn Ensemble June 2011 at CRD Blanc Mesnil. Recording by Roy Amotz, December 2013.Paris 2010, 7′ Ca In this work, I explored the idea of a granulation (segmented sound), that becomes denser until a complete convergence – a long note.This idea drives also from …
fl. cl. pno. vln. & vncFor Sentiari Selvaggi, Feeding the music Festival, Expo, Milano. Revision and new performance – Meitar ensemble, conducted by Pierre-André Valade, Manifeste Festival, IRCAM/Centre Pompidou, Paris Montreal 2016, 11’ Ca Initially marchons, marchons was written for Expo Milano 2015, whose theme was “Feeding the Planet, Energy for Life”. It was while thinking of this notion …
I need to hear it first was commissioned by Quasar Saxophone. The work was created on May the 30th 2018, as part of the concert Territoires sonores. The work was revised later and was played by the quartet in many opportunities. My work often begins with research, the appropriation of an image in sound. In “I need …
Violoncello, electronics and 9 Instruments. Solo Violoncello David Zur, Conducted by Karin Ben-Josef . Premiere, April 2008, Jerusalem’s Music Center. Revision, October 2008, Israel Music Festival, Jerusalem’s Theatre. Jerusalem 2008, 19′ Ca Equilibrium is a state of rest or balance due to the equal action of opposing forces or influences. Energy must be created for …
Examining the term BORDERS and some of its manifestations in means of music and art is the subject of a new piece initiated by the Israeli Meitar Ensemble in co-production with the celebrated German ensemble Neue Vocalsolisten. Two composers join forces to create the musical world for this piece, another Israeli-German partnership, Ofer Pelz and …
Open instrumentation and video interface, written in collaboration with Matan Gover. Premiered by ensemble Aka, live@CIRMMT series, Tanna Schulich hall Montreal. 2019 7′ Ca Written for Ensemble Aka. A graphical game is projected to the musicians and the audience. The game interface presents symbols that approach the musicians and is inspired by Harmonix’s Guitar Hero. …
