Day: October 10, 2021

Ofer Pelz

Article in Classical post – “Musical Cultural Identity: What Is It? A Composer’s Perspective on Music Schools and Tendencies”

When I studied with Philippe Leroux in Paris, he said to me once that he knows three Israeli young composers (who have been in his class), and he finds it weird that we do not have a  common musical language. At this time his observation sounded very weird to me — why should we have a …

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new piece pelz

New piece commission of ur.werk for a premiere in Hannover, Germany

“Départs… entanglements” (“Departures… Unleashes”) is a concert series with a total of 8 concerts (4 double concerts) within the framework of the ensemble friendship between two Hanoverian ensembles and two Canadian ensembles from Montréal. The Flex Ensemble and Ensemble ur.werk, the string quartet Bozzini and the saxophone quartet Quasar will present with two premieres each …

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push ableton pelz

Research-Creation of an interface using Ableton Push

Push is an accessory that allows you to control Ableton Live. It is traditionally used, especially by DJs, to launch sequences, samples or play digital drums. The two studies I will compose will take Push far beyond this role and transform it into a digital chamber music instrument suitable for contemporary/experimental music and perfectly suited …

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traductions-pelz

Traductions – research-creation project for a percussionist and a canvas

Traductions is an interdisciplinary musical composition project for solo percussionist on amplified and processed canvas. In the performance that will result from the research-creation process, a work that is both sonic and visual will be produced by the performer’s tactile action on the canvas, through various gestures involving the hands, but also painting tools and …

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